Frontiers | Editorial: Biophilic design rationale: Theory, methods, and applications (2024)

Rita Berto1*Giuseppe Barbiero1Jack L. Nasar2

  • 1GREEN LEAF - Groupe de Recherche en Education à l'Environnement et à la Nature, Laboratorio di Ecologia Affettiva, Université de la Vallée d'Aoste, Aosta, Italy
  • 2City and Regional Planning, Knowlton School of Architecture, The Ohio State University, Columbus, OH, United States

Editorial on the Research Topic
Biophilic design rationale: Theory, methods, and applications

“Humanity gradually realizes that what is common to man is more important than what is different...” Thornton Wilder

Architecture cannot be limited to objects evaluated through the history of art, because what humans like, in a broader sense, does not necessarily relate just to aesthetics (appearances) but to what they biologically need. Considering architecture in these latter terms leads to quite different insights into the meaning of buildings and human dwellings. Barbiero and Berto's review places evolution as central to understanding modern human relations with the environment, outlining that aesthetic appraisal evolved also to support our informational needs (making sense, exploring solutions for adaptation), steering people toward psychological benefits (e.g., stress recovery and attentional restoration). In this regard, Robles et al.'s study reaffirms the universal impact of fractal patterns on viewers and demonstrates how fractal design balances aesthetic and psychological needs while serving as a practical implementation of biophilic patterns in human-made environments to promote occupant wellbeing. This means that architecture is a human phenomenon that extends over individuals and cultures with origins from a biological need called biophilia and evidence-based psycho-physiological restorative effects. Biophilic design can rely on a robust evolutionary theoretical framework, but because most of this research is non-experimental, it has not shown correlation or causality. This may be related to inductive and deductive research approaches, which in turn fuel confusion between restorative design and biophilic design. Studies adopting the inductive approach are essentially based on perception, observation, and measurement of phenomena from which they attempt to derive generalizations and scientific assumptions, which are verified according to well-defined terms. Studies of this type tend to center on restorative environment theories (Attention Restoration Theory, Stress Recovery Theory), as Neilson et al.'s mini review discusses. Since astronauts living in space will be unable to access natural landscapes, which have been found to have restorative effects on stress and wellbeing, the authors suggest providing a restorative environment design as a relatively simple and cost-effective way to mitigate the stress faced during long-duration space missions. It is no coincidence that many 3D reconstructions of the holodeck from the starship in the Star Trek television series have Nature as their background. Martinez-Soto et al. related affective responses to the properties of 65 public spaces in a Mexican city. The study found positive effects on mood and reduced stress related to the restorative properties of the spaces. Boffi et al. used focus groups with older people to co-design a community garden. The study found that the needs expressed by the groups fit the Attention Restoration Theory components of compatibility, fascination, and being away. Studies with a deductive approach, in contrast, begin with generally valid assumptions of biophilia and the biophilia hypothesis and proceed to the interpretation of the individual case from the theoretical top, down to the base. Gaekwad et al.'s meta-analysis provides evidence for fundamental theories regarding the human-Nature biophilic bond, while not ascertaining clear support for the biophilia hypothesis due to the broader definition of the hypothesis itself and the lack of studies of human response pathways associated with the biophilia hypothesis. Starting from the biophilic theory, Pasini et al. created, in a shared design process with worker representatives, a new workplace. However, despite the opposite approach and proximity to restorative theories or biophilia hypothesis, all studies agree that human nature and human relationships with Nature should be central to design. Our relationships with Nature have changed over the course of our evolution. Our biophilia evolved in the Paleolithic era as an evolutionary adaptation, to favor the recognition of resources and suitable refuges in the wilderness. The Neolithic revolution redefined our relationship with both resources and refuges. Plants cultivation and animal breeding required the abandonment of nomadic life, and the construction of stable refuges that were able to protect resources. If we accept that spatial structure was generated by these evolutionary needs and these needs influenced humans along the anthropological continuum, then we could theorize the “object” architecture on the base of what is biologically common to human beings. Biophilic design can provide a new, previously unknown paths in this direction.

Author contributions

All authors listed have made a substantial, direct, and intellectual contribution to the work and approved it for publication.

Conflict of interest

The authors declare that the research was conducted in the absence of any commercial or financial relationships that could be construed as a potential conflict of interest.

Publisher's note

All claims expressed in this article are solely those of the authors and do not necessarily represent those of their affiliated organizations, or those of the publisher, the editors and the reviewers. Any product that may be evaluated in this article, or claim that may be made by its manufacturer, is not guaranteed or endorsed by the publisher.

Keywords: biophilia hypothesis, restorative environments, architecture, design, methods

Citation: Berto R, Barbiero G and Nasar JL (2022) Editorial: Biophilic design rationale: Theory, methods, and applications. Front. Psychol. 13:978689. doi: 10.3389/fpsyg.2022.978689

Received: 26 June 2022; Accepted: 03 August 2022;
Published: 06 October 2022.

Edited and reviewed by: Raffaella Ricci, University of Turin, Italy

Copyright © 2022 Berto, Barbiero and Nasar. This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) and the copyright owner(s) are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.

*Correspondence: Rita Berto, rita.berto@hotmail.it

Disclaimer: All claims expressed in this article are solely those of the authors and do not necessarily represent those of their affiliated organizations, or those of the publisher, the editors and the reviewers. Any product that may be evaluated in this article or claim that may be made by its manufacturer is not guaranteed or endorsed by the publisher.

Frontiers | Editorial: Biophilic design rationale: Theory, methods, and applications (2024)

FAQs

What is the theory of biophilic design? ›

Biophilic Design tries to translate humans' attraction to and desire for connection with Nature, namely biophilia, into the design of environments. However, to justify the psychological benefits and effectiveness of biophilic design, designers often draw inspiration from restorative environment design, ...

What are the applications of biophilic design? ›

Application of Biophilic Design in Modern Architecture

Biophilic design elements in architecture are the incorporation of natural experiences into living settings - for instance, using water, plants, ventilation, light, etc., to create a direct interaction with the natural elements.

What are the three principles of biophilic design? ›

Biophilic design can be organized into three categories – Nature in the Space, Natural Analogues, and Nature of the Space – providing a framework for understanding and enabling thoughtful incorporation of a rich diversity of strategies into the built environment.

What is the methodology of biophilic architecture? ›

Biophilic design is a methodology for designing buildings and landscapes that nurtures the relationship between people and nature by introducing various natural features into the built environment.

What is the biophilia effect theory? ›

The preference for nature has a name: biophilia, which literally means “love of life,” an affinity for living things and the natural world. The “biophilia effect” describes any of a number of positive impacts experienced when this affinity is evoked through a sensory experience of nature: sight, sound, smell, or feel.

What are the 5 senses of biophilic design? ›

Biophilic design comprises the 5 senses; sight, smell, touch, taste and hearing.

What are 3 benefits of biophilic design? ›

Biophilic design has been found to support cognitive function, physical health, and psychological well-being. Biophilia is defined as the innate human instinct to connect with nature and other living beings.

What are the principles and benefits of biophilic design? ›

Biophilic design has also shown to improve patient recovery times in hospitals, reduce crime rates in residential areas, and increase learning ability and test results in schools. These amazing results stem from the improved user experience of the building.

What are some of the most important biophilic strategies? ›

Direct contact with vegetation, in and around the built environment, is one of the most successful strategies for fostering human-nature connection in design. The presence of plants can reduce stress, improve comfort, enhance mood, and prompt healing.

Why is biophilic design important? ›

A Human Spaces research report showed that biophilic design can improve productivity by 6% and creativity by up to 15%. Vegetated spaces can improve an individual's self-esteem and mood, while the presence of water can have a relaxing effect. Evidence shows that these benefits can occur in as little as 5 to 20 minutes.

What is biophilic design and color theory? ›

Biophilic color theory is based on the idea that humans have an innate preference for colors that are found in nature, such as greens, blues, browns, and yellows. These colors can evoke positive emotions, such as calmness, happiness, and vitality, and can also reduce stress, improve concentration, and promote healing.

How do you implement biophilic design? ›

Here are a few ways to do it:
  1. Add plants: Incorporating potted plants or hanging greenery can add a natural element to your bedroom. ...
  2. Use natural materials: Choose natural materials for your bedding, curtains, and other textiles. ...
  3. Let in natural light: If possible, maximize the natural light in your bedroom.
Feb 15, 2023

What is biophilia theory in interior design? ›

Biophilic interior design is a design approach that integrates natural elements and patterns into indoor spaces to foster a deeper connection between humans and nature. Have you ever felt a sense of calm walking through a lush forest or sitting by the seaside? It's a natural feeling.

What is biophilic city theory? ›

Biophilic design emerged at the beginning of the twenty-first century as an integral part of restorative environmental design, an approach that seeks to re-establish positive connections between nature and humanity in the built environment by minimizing damage to natural systems and human health (low environmental ...

What is the theory of design in nature? ›

That phenomenon is the generation of configuration, or the generation of 'design' in nature. All thermodynamic systems in nature are flow systems (i.e. live, non-equilibrium systems), and they all have configuration. If they do not have it, then they acquire it, in time.

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